edward the second by christopher marlowe

It should be specific and clearly convey the purpose of your research. This may involve reading and reviewing existing literature on the topic, conducting interviews or surveys, or collecting data through other means.ĭevelop a thesis statement: A thesis statement is a concise summary of the main argument or point that you will be making in your paper. It is important to choose a topic that is narrow enough to be covered in depth within the scope of your paper, but broad enough to allow for a thorough exploration of the subject matter.Ĭonduct research: Once you have chosen a topic, the next step is to conduct research to gather the necessary information and evidence to support your thesis. Here are some steps to help you create a thesis outline:Ĭhoose a topic: The first step in creating a thesis outline is to choose a topic that is interesting and relevant to your field of study. A well-structured outline can also help to ensure that the final paper is clear, coherent, and easy to follow.

Its subject matter is drawn from chronicle accounts of English history, and therefore it may be helpful to begin by considering it alongside other forms of historical writing from the period, including drama.A thesis outline is a crucial component of the writing process for any academic research paper, as it helps to organize the ideas and arguments that will be presented in the paper.

Finally, it needs to be emphasised that Edward II is a play about politics and public life as much as it is about private sexuality – indeed, it is about the disastrous intersection of the two. The second is that, while Edward’s relationship with Gaveston is certainly central to his downfall, it can be argued that this is not because it is a homosexual relationship as such, but for other reasons (this, too, will be discussed in more detail later on). The first is that, as will be discussed later in this chapter, it is very questionable whether it is appropriate to talk in terms of ‘homosexuality’ in relation to Renaissance texts. There are several problems with this view of the play, however. If the reader or theatregoer has some awareness of Marlowe’s own biography – for example, of the statement attributed to him by Richard Baines ‘That all they that love not tobacco and boys fools’ – then the effect may be compounded further, and Edward II viewed as, perhaps, a plea for tolerance and understanding of homosexuality. This impression is likely to be even stronger in the theatre, where the physical intimacy of Edward and Gaveston will be visually evident and where the potentially sexual overtones of the King’s gruesome death can be graphically conveyed (see Chapter 7). For the modern reader, it’s difficult not to regard Edward II, which depicts the catastrophic effect that a king’s relationship with his male lover has both on the monarch and on the nation he governs, as a play centrally concerned with homosexuality.

Edward the second by christopher marlowe